The Latest Assault on Academic Quality
An article in today's New York Times (free subscription required) reveals the new problems created for scholarship and admission committees by a new breed of high school diploma mills.
Fusing Tech and Pedagogy
An article in today's New York Times (free subscription required) reveals the new problems created for scholarship and admission committees by a new breed of high school diploma mills.
I'm told that KDLT in Sioux Falls aired a story last Sunday on my macro-grading, active rubrics, and flash-video help. On Monday, I received a question from a speech pathologist who hoped to utilize some of my audio feedback techniques. And that night, one other person mentioned he had seen me on TV.
Granted, Cliff Atkinson is trying to make a buck, but his companion site encouraging a more visually-rhetorical approach to the tired, old power point is worth some exploration. What a relief to have some design behind what for some has become a form of same-frame water torture. In fact, with our university looking at story-boarding as a class in the near future, Atkinson would offer a little welcome continuity between courses.
I had this idea, see, that students might benefit from seeing me grade and reading and hearing (so turn your speakers on if you want to see the preview) a PG rated version of my train of thought as I grade, so that they begin to grasp how I look at their essays, what I look at first, what sort of errors are most egregious versus most annoying, and so on. So I began to make a video to let them in on the process. For a few, glorious moments, it had potential, before sarcasm began to win the battle. By the end of the video, a drunken pirate has taken the helm. I don't envy the poor student.
Okay, so I've butchered the Eliot allusion. Nonetheless, Mad Master Dan over at DanToday has a brilliant little offering on making use of text analysis software in his composition class. His video-audio alignment could use the help afforded by the instant-demo software I blogged last week, but his idea for using the text analysis software is excellent.
My feedback methods for Composition I students allow me to be more flexible, thoughtful, and sometimes playful.
Version 5.0 of Instant Demo has been released. This software is the simplest, most straightforward demo software I've used. The latest iteration seamlessly embeds mp3s that you can record at any point in the creation of your demo, which makes audio instructions much, much simpler. My advice is that if you're during a full screen capture, always export the final project to 80%; any larger and your viewer has to scroll around to follow your instructions.